For some time I’ve noted what appeared to be very banal photos of landscapes, especially the urban or suburban. What I had been viewing was a genre as “New Topographics”, which has its roots in the 1975 landscape exhibit curated by William Jenkins at the International Museum of Photography at the George Eastman House. Specifically, that show was titled “New Topographics: Photographs of a Man-Altered Landscape“. It featured work by artists such as Robert Adams, Lewis Baltz, Bernd and Hilla Becher, Frank Gohlke, and Stephen Shore.
When I attended the 2008 annual conference for the SPE, I was re-introduced to Robert Adams’ seemingly straightforward B&W work during one of the many lectures. Afterwards, on reviewing my personal archive, I realized over many years I too had been shooting in a similar vein. Thus, during my recent sojourn to west Kansas, I paid homage to this genre once again and created the short “topographic” study illustrated below.