Going to Yellowstone National Park during the winter is one of those “bucket list” items everyone should experience. I had my opportunity earlier this month when Dr. Charles “Chuck” Peterson, a biologist at Idaho State University, coordinated a private snow coach trip. We had a 1950s era Bombardier tracked machine that looked like it should be on the battlefield! Fun! In total, there were eight of us, plus the guide; four biologists and four photography professors. Days were cold, near 0oF (-18oC) and nights were even colder!
Three life-long friends from the Kansas City area and former faculty colleagues at the University of Central Missouri, flew up for the adventure. Unknown to Wilson Hurst that Tom Mitchell and Robert Breshears were going to be there, it came as quite the surprise when he finally met them during our rendezvous!
Here’s a number of my favorite shots from the trip. I used a variety of gear, including Nikon D800, Fujifilm X20, and my iPhone 7 through a spotting scope. Enjoy!
Photography trip to YNP with fellow photographers and biologists.
Shot on iPhone 7 through a spotting scope, which causes the purple/green outlines due to chromatic aberrations.
Yesterday was cold, cloudy, and foggy. It’s day’s like that which provide great light and it’s usually incredibily soft. This kind of light is great when it comes through windows of old houses like the one I live in. I love the way it bounces off doors and walls and gently cascades down the stairs. So when I turned around in my office chair and say the light playing in the hallway, I had to stop what I was doing and pull out the camera to start shooting. I never tire of the way light bounces through old hallways and I’ve been chasing this type of light since my undergrad days back in the early 1980s.
Once I felt I had explored enough of what was happening in the hallway, I stepped down on the stair landing and started shooting out the window that overlooks my neighbor’s old house. Again the soft light and hoarfrost clinging to the trees were photographic delights. Who says you have to travel to far-off exotic locales to create images? One needs to be able to create work close to home because it’s all in our personal vision. The most exotic places on earth aren’t going to give you beautiful images if you have no personal vision and being able to see the light. Ultimately, it all comes back to the light and how we interact with this magical substance. I’ve been chasing light now for 35 years and never tire of the pursuit.